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The First Industrial Revolution (1780–1860) laid the foundations of a new world order by designating new technical, financial, social, and political frameworks. As the forerunner, the textile industry facilitated continuous automated production and created the factory system while systematizing the workforce by employing women and child labor. As raw cotton metamorphosed into refined “fabrics,” with its touching charm and fundamentality, its growth, trade, and mobility created a dichotomy paradigm.
Emerged synchronously with the research, this series is a visual attempt to weave the historical complexity of “fabric,” encompassing its social and technical nuances. By embracing pixels as the foundational elements, this digital painting collection aspires to merge the layers of intents of the mechanized looms and 21st-century imaging technology. While the lacy, chaotic flow of pixelated patterns invites contemplation in full resolution, 12 compositions propose an abstract of the quasi-homogeneous common historical outlook on “progress” viewed through the lens of a hyper-modern perspective.
With their delicate intricacies and consequential atrocities, past and present technical agencies propose mechanisms that form and alter complex systems. The revelations might only be comprehended through a detailed track of technique, construction, and constellation for an enhanced perception of the visual and literal language of the whole picture.
You can find here some links to resources that would convey a glimpse of the research:
https://fabricatorium.com/resources#resources
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